Criterion’s release for Martin Scorsese’s “Killers of the Flower Moon” is their best of the year. It has a gorgeous 4K master that looks richer than it does on Apple TV, joined by informative, ...

Now, in its fifth season, the show’s infamous time jumps have taken us to an alternative 2012 in which Mars has not only been ...

It’s still an effectively grisly and beautifully mounted effort, with superb performances from the ensemble cast.

Its restrictive character writing and dull, self-contained storytelling result in a middling, slow-building season.

My final genre-centered dispatch from SXSW 2026 features three films that mostly take place in single settings, using ...

And that means the film’s editors, Austin Keeling and Lam T. Nguyen, had to make sure that the audience could try to solve ...

For people of faith who just want to see Bible stories on screen, Fox’s “The Faithful: Women of the Bible” will work. It’s ...

Roger Ebert’s Film Festival, widely known as Ebertfest, has announced additional programming, special guests, and updated ...

The screenwriter talks about adapting Andy Weir's novel for the screen, and the challenge of writing dialogue for smart ...

Brazilian cinema has been having an exciting moment in the cultural limelight thanks to the success and visibility of ...

What does it say about 2026 that people are getting sliced and diced in every other movie at SXSW, often by losing fingers?

Lisa Kudrow returns to HBO as the attention-hungry Valerie Cherish in a hilariously bleak depiction of contemporary Hollywood ...