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The first phrase of the A major Quartet, for piano alone, has top-notch artistry written all over it; the cello’s rejoinder and the full strings’ restatement likewise. It only takes a few more bars to ...
How has the way we play Bach changed over the past century? Rob Cowan listens to recordings of Bach's St Matthew Passion by Harnoncourt, Scherchen and Mengelberg, and draws some fascinating ...
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