Performances in N.Y.C. Advertisement Supported by Watch and listen to five recent highlights, including Metropolitan Opera performances, the posthorn solo in Mahler’s Third and music by Tomeka Reid.
Performances in N.Y.C. Advertisement Supported by Fall Preview Osvaldo Golijov’s Lorca-inspired opera comes to New York, and the pianist Igor Levit plays with the Cleveland Orchestra, among other ...
With her emotion-evoking operatic range and soprano heights, Dominican opera singer Zuly Inirio is challenging whose voice is embodied and heard throughout the genre. She first saw an opera — “La ...
Gustavo Dudamel launches the fall season with a world premiere by the Hawaiian composer Leilehua Lanzilotti and Charles Ives’s panorama of Americana, the Symphony No. 2. Yunchan Lim joins in for ...
As usual, my retrospective list of the “best” classical and opera offerings of the year has a lot more to do with lasting impressions than definitive rankings. This was a year of big tours and bold ...
He had been battling FORT WORTH - If we still did end-of-year lists of top 10 performances, Wednesday night's Mimir Chamber Music Festival concert would be a serious contender for Number One.
It all starts with a dragon’s roar: the seventh instalment of the Sound of the Dragon Music Festival. This year it’s a ...
From the Top has championed young classical musicians for 25 years. And soon the nonprofit public radio program will move to North Texas. Ian Derrer, general director and CEO of the Dallas Opera for ...
“The Classical Style: An Opera (of Sorts)” subverts expectations of the genre by making fun of classical composers typically featured in these concerts. The show, written by librettist Jeremy Denk ...
As in years past, we expect that some performances will reach capacity quickly, so mark your calendar for April 8 at 10 a.m.
“Tomorrow, and tomorrow, and tomorrow.” The opening words of Macbeth’s famous soliloquy come to life this weekend as three performances of a combined opera, ballet and classical music production based ...
The composer is an undeniable part of the classical music canon. Does that change the meaning of his radical early work? Opening night of the Metropolitan Opera’s 2014 production of The Death of ...